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‘We’re all from places that are still hostile to queerness.’ Photograph: Luke Gilford So it has felt really urgent to work on a wider scale beyond that personal level, to focus on what we all should be talking about and working towards.” But I started the project around the time Trump was elected.
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“To begin with, it was very personal, a way to reconnect with a side of myself I had suppressed. It embraces both ends of the American cultural spectrum: people living on the land, but who are also queer. What I think is really beautiful, and so inspiring, about the queer rodeo community is that it brings back that aura of promise. But as we grow older, we realise this promise is kind of a myth. “We’re taught in school to recite the national anthem every morning. The result is National Anthem, Gilford’s first photographic monograph – and, to his mind, a timely musing on the state of America. We don’t think of them going together.” He set about exploring how they might. “We all know what a rodeo is,” he says, “and we all know what queer is. So this chance encounter with a bunch of people who’d managed to do what seemed impossible to him was as exciting as it was discombobulating. We don’t think of them as going together.’ Photograph: Luke Gilford Howard is perhaps best remembered as Elaine’s boyfriend Roy on ‘Seinfeld’.‘We all know what a rodeo is and we all know what queer is. Houston, best known locally as a singer, has done a lot of stage acting, and gets to do both in the film.
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He lined up local actors Andrew Joffe, Wanda Houston, Sherman Howard and Michael Siktberg, all well known in the regional theater community. Sandy went to work finding a local cast, and tapped into some talented people he’d worked with on previous projects, including last year’s variety/sketch comedy show The Berserkshires, which he co-wrote and co-produced for Columbia Arts Team. It was really ideal for the hybrid idea, since we weren’t going for total realism or big production values.” “We began to envision various parts of the Hall as the different rooms we needed to portray. The owner, Beth Carlson, suggested they use Dewey Hall in Sheffield as a setting, a facility she was very familiar with, in her position as board chair of the historic building. McKnight contacted the office of Berkshire Media and Film, which led him to Silo Media, based in Stockbridge. In this way, I could shoot out of sequence, and use other advantages of filmmaking, while maintaining the live feeling of intimacy.”
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So I decided to shoot it as a hybrid, a movie with the intimate, non-filmic feel of a stage play. “A video of a live performance is technically challenging, with no guarantee that you’ll get a definitive version of the show.
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And you stand little chance of breaking even, even with a long run,” He explained. It’s a play! But mounting a live musical is a pricey undertaking. “The natural choice was to mount a live production. After a staged reading in Pittsfield, McKnight had to decide where to take it next. Conceived by McKnight last year, while Covid made live performances problematic, Band Boy centers on his experiences in the rock and roll world of the early 80s in New York City.